Showing posts with label John Phillips. Show all posts
Showing posts with label John Phillips. Show all posts

Saturday, December 10, 2011

Theodore Enslin, I.M.: Baker, Giannini & Philips

Photo courtesy of Ed Baker

This post contains some poems and photographs in tribute to Theodore Enslin, by fellow poets and friends  Ed Baker, David Giannini, and John Phillips, as well as a poem by the poet himself.  In addition, there is also a link to a brief obituary (and an excerpt from same) and a recording of Brahms Intermezzo, Opus 18, No. 2, which Theodore Enslin requested be played in lieu of a memorial service or other type of observance.


“let me tell you a
"story
"about that chair you’re sitting in
"I call it The Low Down Chair

 “it was many years ago now.
 “She was a Catholic girl.
 “Very pretty.”

 & then he took a snap of me w my
 little Kodak Instan-matic.

“In THAT LOW DOWN CHAIR
 “SHE
“& It was many years ago

 “& lots of poems-into-books came
“afterwards.”

 “and the cane?”

“It’s one that I made.
“I make them. Sell them.

“That’s how I got to be so rich.
“Selling canes. Selling poems.”

a short time later
we walked his property to that Old Pine

“There’s a story in that Old Pine
“You sure take a lot of pictures.

 "I’m hungry. You hungry?

“I know a place in town. Great Haddock Chowder
“Ever eat a Bloomin' Onion?  Big as a basketball.”

At the diner he flirted w the cute waitress
who
knew his ways & means

made Love with spoon in chowder
Ed Baker




Here are three poems by David Giannini:




THREE POEMS to TED (THROUGH the YEARS)

             
1           1.  AUDUBON SANCTUARY, WELLFLEET

Beyond sanctuary     the sea
“so quick to feel surprise and shame”
of waves     at crest     that suspense
suspension where     the soul feels

the soul feels its mirrors      mirrors
of salt     of our bodies     of our blood
of instants     of the moon     of the tides
spreading us     to grains     and with

 “The earth under our feet we are
 not asked to begin nowhere”—
we stand     on belief     and sand
then step     this way     to the marsh.







2. MAYBE SONG
                                                                                
Maybe if you tell it the wind will stop maybe
the long wind if you tell will stop banging its
bells. Maybe the wind will stop if you slip
into the wind silence that wants in maybe
bell longing will come. Maybe your silence
lives inside the will of the wind maybe in
long bells hiding from ruthless interims
of eye. Maybe if you spy them the bells will
stop maybe the long bells if you spy them
will stop if you will.  Maybe if you slip into 
the silence the wind that wants in will spy
a forest being maybe many still trees. Maybe
if you feel it being tall pine air maybe the
being will be silent ruthless interims of ear.


                                                                                   
                                                                                                                      
3.

To age
             and move uneasily
to become
                     more          
                                  adventuresome
in mind (assuming
                                    the necessary
foolishness,
                       the course
                                            and curse of it)
despite macular de-
                                   generation and
the falling
                     to ground, then
                                                    abed, 
and the final jit-
                               tery track of
being
              what you always were,
Ted.


David Giannini



A poem and a photograph of Theodore Enslin by John Phillips:




Photo courtesy of John Phillips



 

LETTER
for Ted Enslin

The daffodils are
just
       coming into
 bloom
            Still
a number of
                    croci
& a kind of blue
scilla
          I found
          years ago
in an
         abandoned garden
      a swallow just
              fluttered in


23.4.05

John Phillips




Here is an excerpt from an obituary in the Daily Bulldog, in Farmington, Maine:


Anyone who knew Ted will be familiar with his desire to have the last word -- so here it is:
"In lieu of a memorial service or other observances, I would prefer that concerned friends in thinking of me might listen to or perform, the Brahms Intermezzo, Opus 118 #2, whenever it might occur to them as appropriate. To me, that one short piece sums up what I might have hoped to achieve in a life in art."


The Way Desideratum

Goodbye, but not
goodbye again.
I do not leave you--
land behind me
in the land ahead.
I step the curve,
and curve enough
returns.
Theodore Enslin








Intermezzo in A Op118 No. 2 by Brahms on Grooveshark 
 
 
 

Photo courtesy of Ed Baker



---------------------------------





from the thin curve
of the sickle moon...
one leaf falls
Issa
translated by David G. Lanoue








best,
Don



Send a single haiku for the Wednesday Haiku feature. Here's how.

Go to the LitRock web site for a list of all 127 songs

Monday, December 10, 2007

Gary Hotham and Yosano Akiko (& more)

Cover art by Wayne Hogan


This morning I've received notice that one of Gary Hotham's poems from Missed Appointment, #17 in the "Modest Proposal Chapbook" series, has been reprinted in the Mainichi Daily News of Tokyo. If you click on the Mainichi link, not only will you see Gary's insightful poem but also 14 other fine haikus, including Francis Masat's excellent "dusk --" and a gem by this site's patron, Issa, translated by Isamu Hashimoto. Congrats, Gary.

This week also saw the anniversary of the birth of Yosano Akiko. Yosano almost singlehandedly revitalized the tanka form for modern readers. She is one of the premiere poets of that form and to this day remains my personal favorite. I'm happy to say it has been one of my greatest thrills as an editor to be publishing Dennis Maloney's new translations of Yosano Akiko in recent Lillies, with more to come in forthcoming issues. Here are a few examples from recent numbers:


#26

Unable to touch
The hot tide of blood
Beneath my tender skin.
Do you feel lonely
Teacher of the way?
(from Lilliput Review #153)



#14

You came from Saga, near water
Love god of a single night.
The poem you composed
Within the silk bed,
Please keep it secret.
(from Lilliput Review #155)



#372

Listen lord!
Love is the voice of admiration
For violets
in the purple evening.
(from Lilliput Review #157)



Dennis, by the way, is the editor and publisher of one of the finest American small presses in business today, White Pine Press. White Pine has published and continues to publish some of the very best classic and modern Eastern and contemporary world poetry, including recent reissues of work by Sonia Sanchez and James Wright.

On the reading shelf right now are Mary Oliver's House of Light, Roddy Doyle's The Woman Who Walked into Doors, and an advanced reading copy of Manil Suri's new novel, The Age of Shiva. Doyle will be appearing here in Pittsburgh at the Drue Heinz Lectures series next month, which many folks are looking forward to. Reading these two novels at once, I've been struck not only by the obvious differences compared to America, but by the similarities, particularly on how all three cultures treat women. The rituals and rites of passage may differ; the results are the same, all adding up to tragic inequality that one could never have dreamt dragging on into the 21st century. On my daily walk to work, I am reminded of this by a piece of incisive graffiti: "No War But Class War."

So it goes, as the much missed sage would say.

After much resistance, I've been reading Mary Oliver's work on and off over the last year. She is much maligned; one particularly unjust criticism is that she writes the same poem over and over again. It is hard to believe that this criticism was actually leveled by a fellow "poet." It seems to completely misunderstand the vocation that is poetry. I wonder what Dickinson, Willie Dixon, Issa, or Picasso might say to this, all of whom might have the same criticism leveled at them.

This week's sample of Lilliput poems comes from issue #133. Enjoy.


endless
the arrival

you are
going from

~ John Phillips



October Leaves

bleed veined beauty
pure enough
to suffocate art

while we look on
with loosened hair.

~ Larsen Bowker




Shiki wrote eighteen
thousand Haiku: How many leaves
has a willow tree?

~ Robert Chute



Everybody knows that
autumn is a ghost,
haunting us with memories
of things that never happened.

~ Albert Huffstickler




My flesh heart needs teeth
and all of Buddha's koans
will not jar them loose.

~ Mary Rooney



Finally, in particular for those new to Lillie, there are samples from three past issues up in the new archive page on the (also new) website. Check it out.

Best until next time, Don.