Showing posts with label Will Inman. Show all posts
Showing posts with label Will Inman. Show all posts

Saturday, October 10, 2009

Will Inman: In Memory



I've just learned, a few days late, of the passing of the fine small press poet, Will Inman. I published a number of Will's poems in the early 90's when the magazine was still trying to find its pins and Will was exceedingly generous in sharing his work with a wet-nosed, fledgling editor. The University of Arizona Poetry Center has an award for financially needy poets in his name. One of the quotes Daily Poetics uses at the top of its page is by Will and it very good, indeed:


A poem must not just editorialize, it must evoke. It must
get inside me with the experience so that the part of me
that thinks can say yes! to the flutter between my ribs.
Without that flutter, that visceral recognition, to hell
with it.




His papers are stored at Duke University, an inventory of which you can see online. There is an online obituary in the Arizona Star you have to sign up for (its free) to read. It is reproduced here without the registration process (Note: unfortunately, these links are now dead. Seems our collective memory is zip). His correspondence with Eloise Bethell, with assorted books and memorabilia, may be found at the University of North Carolina. Online remembrances have begun to appear such as this.

With poets, we have memories of who they were, stories of what they've done, legendary and/or infamous. But most of all, we have their poems and I'll bet, when it gets down to biographical tacks, poems are the way poets would most like to be remembered. Here are four that Will Inman shared with the readers of Lilliput Review and myself and I remain grateful to this day.




shadow gaelic
clouds leaned on his shoulders, rain
broke on him such palpable shadows, he
knew the language, he spoke it often to
himself, words he had no need to translate,
direct messages, prophecies from under his
tongue, o he wanted them to be lies, but
they didn't fall with the rain, they grew
out of him to meet with rain, speaking him,
telling his name over and over like woke
beads, promising undiscovered ways beyond








the last wave
flower opens outward
in my throat, bees
shudder up and down my
back, seeking
nectar. i swallow all
but the last wave, moon
rises in my chest, shining
out of my eyes, you still
breathe fast








taste borning
the old Lion has mange,
the young Lamb froths stale,
we bear them lying down
in us, let them die!
jaguar and fawn
lizard and golden bird
come alive behind your eyes,
we bend laughing
to the loins of a young new
manwoman god to taste our
kin borning









a new eden
time to chase god
out of the garden, restore
forests, listen again
to a wisdom of serpents
to voices of trees,
time to take on
all that terrible
knowing



Will, R.I.P.




autumn wind--
death draws closer
with every year

Issa
translated by David G. Lanoue





best,
Don

Tuesday, January 27, 2009

Big Glitch and a Few Poems



Cover, w/tea stain, by Albert Huffstickler

* The above image was added afterwards, making some of what follows obsolete. *

Well, the year is starting out with a different kind of bang, not exactly one I'd hoped for or anticipated. With one issue in the rear view, another popped up immediately before I could get out of the way: computer problems.

I can't really figure out what is going on at the moment. I've been running all kind of diagnostics but the best I can sort out is that it must be some kind of virus. I can surf at the moment and minimally check email and blogger, but I don't seem to be able to upload images and when posting occasionally get broken connection messages. This may take awhile to sort out and things could be intermittent at best for the next little while.

Since today is Archive Tuesday, I'm going to try to post a few poems without the cover image. This week's trip into the past arrives at April 1994, issue #55. The further we go back in time, the wordier the work, if still limited to 10 lines. My evolution, as editor and just plain folk, is evident, at least to me. Enjoy.





Inside Spring

A robin walks across
a quiet street, as if
there's a choice.

K. Shabee








Summer

shining shining
black crow strutting
open-beaked
across the dried crumbling
street

Michael Estabrook










a new eden

time to chase god
out of the garden, restore
forests, listen again
to a wisdom of serpents
to voices of trees,
time to take on
all that terrible
knowing

Will Inman








Painting

The feeling
jumps
from deep
inside
your gut
to canvas
in a lump
of red
which will be
someone else's
sun

Suzanne Bowers










Cafe Poem


The woman in
the corner,
white on black,
white skin,
black hair,
black dress,
lights a
long, white
cigarette,
the orange flame
bright
against her cheek.

Albert Huffstickler



Looking these over, I notice I chose the most minimal, so it doesn't appear much different than usual. You'll have to trust me on the wordiness part.

I'll keep plugging away at this end, but this computer thing doesn't have a good feel. I've got all the files for Lilliput saved to a separate portable hard drive so, if I've got clean the whole disk and start from scratch, it is doable, if painful.

More soon ...


Hopefully.

Don

PS If the print size is minuscule, I apologize. See aforementioned glitch. This is my second shot at posting this; the first put an early, incomplete draft up.