Wednesday, July 1, 2015

Chen-ou Liu & Daryl Nielsen: Wednesday Haiku, #215

Photo by April Schultz

 

the river
swollen with spring ...
her stretchmarks

Chen-ou Liu





honeysuckle
through an open window
mother’s last breath

Daryl Nielsen






high noon--
the reed thrush sings
to a silent river

Issa
trans. by David G. Lanoue



best,
Don

PS  Click to learn how to contribute to Wednesday Haiku

Sunday, June 14, 2015

William Stafford: Where People Aren't


A book that I recently completed in my morning reading rotation is Things That Happen Where There Aren't Any People, a solid little William Stafford 38 page chapbook, put out by BOA Editions in 1980. 

Many of the poems in the book are about what the title suggests: things that happen without people. Stafford's deep interaction with nature comes out in any number of the poems included, such as the following:


Through the Junipers

   In the afternoon I wander away through
   the junipers. They scatter on low hills
   that open and close around me.
   If I go far enough, all sight or sound
   of people ends. I sit and look endless miles
   over waves of those hills.
   And then between sentences later when anyone
   asks me questions troubling to truth,
   my answers wander away and look back.
   There are these days, and there are these hills
   nobody thinks about, even in summer.
   And part of my life doesn’t have any home.


Stafford is the kind of poet who, on occasions such as this one, we seem to overhear talking to himself. He was a prolific poet, a serial writer if you will, and the more you read, the more you feel him working out the many different aspects of things he encounters. 

I could easily imagine him, on any given day, writing a very different last line for this poem. It is important to note, however, that this last line does not present empirical fact or even conjectural 'fact' - it presents feeling, how he felt after encountering nature without humans, and how he feels upon reentering the world of humans.

Reading this through some might think of Buddhism. Though this has some substance, I thought that Stafford, in his approach, represents a very Western (in this case, in both senses of the word) way of thinking, albeit a wilderness way of thinking. It reminded me of Somerset Maugham's character Larry Darrow from The Razor's Edge, who thinks that it is easy to be a monk on a mountain top, just try taking idealistic principles down into the world of people.

In case you forgot the post from 3 years ago (or weren't around these parts at that time), here's a scene with Bill Murray capturing the above sentiment from the excellent 1984 movie adaptation:




Because serendipity is the way of all things, I ran into the following haiku by Shiki in-between the next to last and last edit of this post and it seems, in its own way, to speak to the heart of the subject at hand:


      There is no trace
Of him who entered
      The summer grove
      Shiki
      trans. by R. W. Blyth


Photo by Tom Magliery

-------------------






baby sparrow--
even when people come
opening his mouth
Issa
trans. by David G. Lanoue



best,
Don

PS  Click to learn how to contribute to Wednesday Haiku