Showing posts with label Ron Silliman. Show all posts
Showing posts with label Ron Silliman. Show all posts

Sunday, April 15, 2012

Two Films & a Trailer for a Sunday Afternoon: Jung, diPrima, & Ginsberg


Three noteworthy celluloid adventures for a rainy afternoon. The Jung hits a tad of a lull a little ways in and picks up steam. Allen is Allen, a joy to listen to and behold and I can't wait to see the film on Diane di Prima.

Enjoy.


Jung on Film, via Nancy Davenport






 


Via Ron Silliman, Allen Ginberg Interview








Diane di Prima: The Poetry Deal trailer, sent along by Susan Diridoni

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a long day--
the eel catcher writes pictures
on the water
     Issa
     translated by David G. Lanoue






best,
Don



Send a single haiku for the Wednesday Haiku feature. Here's how.

Go to the LitRock web site for a list of all 129 songs

Thursday, September 29, 2011

Frank Parker: In Memory



A fine tribute this morning to Frank Parker, over at Ron Silliman's blog.  Click each individual link (his name, the dates, the audio) for more info. 

Frank was very generous and supportive of me while I was in the process of putting together Past All Traps.  He read over the manuscript and supplied a wonderful blurb for the back cover.  Before he became ill, we had discussed featuring some work on his excellent Frank's Home blog.  It wasn't meant to be.

He is in my memory with great fondness.  Cheers, Frank.

with love,
Don

Click image to read text

Monday, October 27, 2008

Review: Corso: The Last Beat



As a follow to yesterday's posting about the new Corso: The Last Beat documentary by
Gustave Reininger, here is a link to a solid review by Ron Silliman of an early cut of the film:


And a classic piece from the man himself:


The Mad Yak



I am watching them churn the last milk they'll ever get from me.
They are waiting for me to die;
They want to make buttons out of my bones.
Where are my sisters and brothers?
That tall monk there, loading my uncle, he has a new cap.
And that idiot student of his--
I never saw that muffler before.
Poor uncle, he lets them load him.
How sad he is, how tired!
I wonder what they'll do with his bones?
And that beautiful tail!
How many shoelaces will they make of that!

Gregory Corso



best,
Don

Thursday, August 14, 2008

Talking, Writing, Teaching, Spewing, Loving: Another Week of Poetry




Cover art by Wayne Hogan


Though off from "work" this week, I've been busy with things Lilliput related, which include getting issues #'s 163 and 164 out in the mail to subscribers. Also on my plate, has been wrapping up an interview for Poet Hound, which covers a wide range of questions about the history of the mag, its focus, and how I go about doing what I do. Since Lillie will be celebrating its 20th anniversary in 2009, it was a good thing for me to sit, think about the journey, and what's ahead. The interview should be appearing at PH sometime around the end of the month. I'll keep you posted.

Dovetailing nicely with that project, I was also asked to write an article for
Café Review, for their 20th anniversary issue, about how I select poems for Lillie. I'm working against a deadline, so that has kept me considerably occupied. The article is scheduled for January, but the deadline looms large. More on that in the future.

Two other fall projects that are gobbling up time like twin black holes are two sessions concerning poetry I'm working on. The first is an Osher lifelong learning one-shot class on poetry appreciation and this is the second year I've been asked to conduct it. The second is a new poetry discussion group I've put together with a fellow staffer at the library entitled "3 Poems By ... ." The idea is to have a poetry discussion group similar to typical book discussion groups, only focusing on 3 select poems by a given poet for an hour long session instead of an entire book of poems. The first session will be on Emily Dickinson, with future sessions on e. e. cummings, Sharon Olds, Mary Oliver, and others. We also will be doing one session entitled "3 Poems About," the subject being time, handled by 3 different poets. Both of these projects will be in the first two weeks of October and the clock is ticking.

When the Near Perfect Books of Poetry list hit the 100 milestone, Ron Silliman picked it up for his blog and this page got mighty busy, mighty fast.

As noted in previous posts, Acres of Books has lost its battle against closing (though gallantly championed by Ray Bradbury) to the Long Beach, CA, city fathers. Now, unbelievably, they have turned a jaundiced eye to the Long Beach Main Library and once again Mr. Bradbury has risen to the occasion. Maybe the mayor of Long Beach, the honorable Bob Foster, needs to hear from you.

Since I'm expelling angst, I might as well make a confession: I hate baseball poetry. Let me be clear: I love baseball, it's baseball poetry I hate. I've tried. I can't help it. It's just one of those things. But Jonathan Holden's poem, How To Play Night Baseball, from a recent posting at The Writer's Almanac, has put the lie to any type of definitive statement I was reaching for. This one's a beaut.

One final note before turning to this week's featured work from the Lillie archives; Jill Dybka at the Poetry Hut Blog has pointed to a nifty list, put together by Amy King, of Movies with Poetry. Check it out and if you can think of any that were missed, just add it in the comments section. I did.

Over the last couple of week's, I've been skipping around a bit in the archive and this week is no exception. The following selection is from issue #157, from August 2007, a year ago this month.


gentle,
the wish of not to wish
Sean Perkins

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just squeeze into
----hollow sycamore
---------& close my eyes
John Martone



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#374
Lying with my lover,
From the bed I see
Through the curtain
Across the Milky Way the parting
Of the Weaver and the Oxherder stars!
Yosano Akiko
translated by Dennis Maloney


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Be Still
This shall be the unspeakable:
Long after you've grown old
You will be the breath
Of a lion,
A basket of blue tears,
Landscape of dry reeds.
Your life shall float
Past the warm,
Slow river, skirting banks
Of black mud and straw
Jeffrey Gerhardstein


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"nowhere & nothing" from the tao of pooh
time
patience
drift

one
flower/poem
after
another
Marcia Arrieta


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Till next time,
Don

PS The Wayne Hogan cover above is supposed to be grey. Every now and then the scanner craps out. It is now.