Showing posts with label Leonard Cirino. Show all posts
Showing posts with label Leonard Cirino. Show all posts

Wednesday, March 14, 2012

Leonard J. Cirino: 1943-2012



I'm sorry to report, another fine small press poet has died: Leonard J. Cirino.  Over the years, I've published a few pieces by Leonard in Lilliput Review.  He was unique; what appealed to me about his work was a lyrical quality that displayed a fine mix of detail and philosophy, with a faintly Eastern sensibility.  Indeed, he loved the classic Eastern poets, as in the following:



The Road Going Nowhere after So Chongju

The road going somewhere always leads to an end.
Sadness, like a red blossom, also comes to an end.
The limbs of a willow bend to the stream, the moon
descends. Sorrow, an ache laced with opium, and joy
that never ends. The floating worlds go on in a dream.
What of the taste and stiff scent of blood?
Its stain? The road long coming home?

                Leonard J. Cirino   
                Lilliput Review, #176



The poet and friend of Leonard, RD Armstrong, has done a fine tribute over at the Lummox Writers' Press Club.  Check it out if you get a chance, it's a fine modern elegy.  In addition, listen to Leonard  being interviewed by RD over at Blog Talk Radio on The Jane Crown Show or via the following widget:










A couple of Leonard's poems, the first from his last book and the second, originally published in America back in 2007.


Forty Years of Nightmares
   Here the clouds are great churches – Deborah Diggs
 
Judged harshly by my enemies, I say,
Let them cast the first stone.
I’ll know
the last judgement when my time comes;
with the clouds and seas as my proper
form of worship, along with the streams,
mountains, the trees and stones.
I never had to stay in the dark of my room
or stand in a corner. Life never punished me
until madness ran amok with my body,
my brain. i could have been Frida
struck by a bus, or Deborah falling,
jumping from the stadium’s heights.
Let them cast lots among the shadows like ghosts.
I know my place in the dark and the light.

    from Leonard's last book The Instrument of Others
   Pygmy Forest Press





Accept the Gift A Letter to James Wright, Deceased
Like snow, the poem breaks into petals
and crystals, sharp things like stilettos.
It is just now April, or mid-May,
the shadows of flowers lie neglected
in the garden while cedar and fir hang
lovely in the long-gone frost of March.

Why does it take some happiness
and a loneliness one can only cry for
to make these poems? I’m sorry you had
the gift. It makes for a miserable life.

How Ohio lived in you, your verse freed
and standing on its own, like a colt,
or an orphan removed from the nest
only to have its illusions shattered
in the world wide enough that you can’t
know yourself, or any part but Ohio,
and all things west, north, south, the distance
from home one calls a map of the earth.

Published in America Magazine April 30, 2007

Leonard reading "I Dream Your Voice":





-------------------------

And these 3 are for Leonard.  I believe he would like them very much ... rest in peace.


Beginning

The moon drops one or two feathers into the field.  
The dark wheat listens.
Be still.
Now.
There they are, the moons young, trying
Their wings.
Between trees, a slender woman lifts up the lovely shadow
Of her face, and now she steps into the air, now she is gone
Wholly, into the air.
I stand alone by an elder tree, I do not dare breathe
Or move.
I listen.
The wheat leans back toward its own darkness,
And I lean toward mine.
James Wright





Saying Good bye to MenHao-jan
at Yellow Crane Pavilion

You said goodbye at Yellow Crane Pavilion
and sailed west, down into the valley
through the flowers and the mist of spring
until your lonely sail vanished
in the blue sky's horizon.

and I was left watching the river
flowing gently into heaven
Li Po
translated by Sam Hamill





nightingale
you're growing old...
but what a voice!

                    Issa
                    translated by David G. Lanoue




best,
Don

Wednesday Haiku will return next week.


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Friday, September 16, 2011

Rumi: The Root of the Root of Your Self



I've been spending a little time with Rumi (as well as Keats - more on that some other time) and have found him calming, challenging, frustrating and all the things we expect of other human beings. Above all, he is philosophically inspirational, a lyric wonder that takes a back seat to no one.

The edition I'm reading, The Pocket Rumi, is one of those Shambhala Pocket Classics, which literally fits in your shirt pocket and was just a great little pickup when I was on the road in Seattle (thanks, Elliot Bay Book Company!). So here's a poem from that collection which grabbed me this week.


The Root of the Root of Your Self
Don't go away, come near
Don't be faithless, be faithful.
Find the antidote in the venom.
Come to the root of the root of
your self.

Molded of clay, yet kneaded
from the substance of certainty,
a guard at the Treasury of Holy Light—
come, return to the root of the root of
your self.
Once you get hold of selflessness,
you'll be dragged from your ego
and freed from many traps.
Come, return to the root of the root of
your self.

You are born from the children of
of God's creation,
but you have fixed your sight too low.
How can you be happy?
Come, return to the root of the root of
your self.

Although you are a talisman protecting
a treasure,
you are also the mine.
Open your hidden eyes
and come to the root of the root of
your self.

You were born from a ray of God's
majesty
and have the blessings of a good star.
Why suffer at the hands of things that
don't exist?
Come, return to the root of the root of
your self.

You are a ruby embedded in granite.
How long will you pretend it isn't true?
We can see it in your eyes.
Come to the root of the root of
your self.

You came here from the presence of
that fine Friend,
a little drunk, but gentle, stealing our
hearts
with that look so full of fire; so
come, return to the root of the root of
your self.

Our master and host, Shamsi Tabrizi,
has put the eternal cup before you.
Glory be to God, what a rare wine!
So come, return to the root of the root
of your self
Rumi, translated by Kabir Hilminski


Note: Shamsi Tabrizi was Rumi's teacher


Find the antidote in the venom. The secret is in plain sight. Open your eyes. Light up. Smile until you can't smile anymore. And keep smiling. Find the antidote in the venom.


---------------------------------------


This week's featured poem from the Archive comes from Lilliput Review, #176 and is a beautiful little gem from Leonard J. Cirino. Enjoy.





The Road Going Nowhere after So Chongju

The road going somewhere always leads to an end.
Sadness, like a red blossom, also comes to an end.
The limbs of a willow bend to the stream, the moon
descends. Sorrow, an ache laced with opium, and joy
that never ends. The floating worlds go on in a dream.
What of the taste and stiff scent of blood?
Its stain? The road long coming home?
Leonard J. Cirino







cherry blossoms
in a nook in this floating
world of craving

Issa
translated by David G. Lanoue






best,
Don



Send a single haiku for the Wednesday Haiku feature. Here's how.

Go to the LitRock web site for a list of all 118 songs

Thursday, April 24, 2008

Kooser's Valentines, Franz Wright, and Charles Simic

Had email from a local friend recommending some recent work by some of my current favorite poets. There is a new poem in the current New Yorker by the always interesting, deeply resonant Franz Wright, entitled The World of the Senses. The current Virginia Quarterly Review has 4 poems by Charles Simic featured, as well as an archive of things they have published by him, 3 of which grabbed me: An Address With Exclamation Points, Meditation in the Gutter, and House of Cards. All of them are well worth a look.

Someone I haven't connected with yet, until this month, is Ted Kooser. I'm not sure why; perhaps I had typecast him as a typical Midwestern poet, someone whose subjects and sensibilities are not things that often show up on my radar. In some recent reviews, I read about his latest collection, Valentines, and was intrigued. So when a copy came in for our "International Poetry Collection" at the library, I grabbed it. As he explains in his author's note, Kooser tells how he began sending out annual Valentine poems in 1986 to at first a select group of 50 women, the poems being printed on standard postcards. 21 years later, his list had burgeoned to 2600 and, he implies, all the printing and postage was getting to be a bit much. So the last card went out in 2007 and this book collects all the poems together, with one last one written especially for his wife.

The work in Valentines at once celebrates and transcends the genre of occasional verse. The poems are, of course, all relatively short since they were originally published on postcards and I have the feeling that different poems here will appeal to different people. I thought these two were quite good:



For You, Friend

this Valentine's Day, I intend to stand
for as long as I can on a kitchen stool
and hold back the hands of the clock,
so that wherever you are, you may walk
even more lightly in your loveliness;
so that the weak, mid-February sun
(whose chill I will feel from the face
of the clock) cannot in any way
lessen the lights in your hair, and the wind
(whose subtle insistence I will feel
in the minute hand) cannot tighten
the corners of your smiles. People
drearily walking the winter streets
will long remember this day:
how they glanced up to see you
there in a storefront window, glorious,
strolling along on the outside of time.




A Map Of The World

One of the ancient maps of the world
is heart-shaped, carefully drawn
and once washed with bright colors,
though the colors have faded
as you might expect feelings to fade
from a fragile old heart, the brown map
of a life. But feeling is indelible,
and longing infinite, a starburst compass
pointing in all the directions
two lovers might go, a fresh breeze
swelling their sails, the future uncharted,
still far from the edge
where the sea pours into the stars.



Needless to say, my sensibilities have been duly corrected and expanded. This delightful volume from the University of Nebraska Press is marvelously illustrated by Robert Hanna. If you are a Kooser fan, it is a must. If not, check it out and you might soon be.

Once again congratulations, go out to Jay Leeming; this morning The Writer's Almanac featured a wonderful reading of one of Jay's poems, Man Writes Poem. As noted previously, Jay has had 3 poems published in past issues of Lilliput Review.

Seems there is lot of poetry info this week, so here's one last note. Well worth reading is Robert Pinsky's column in Slate entitled Why Don't Modern Poems Rhyme Etc., in which he tersely answers typical questions about poetry with poems by William Carlos Williams, Marianne Moore, Edgar Guest, Allen Ginsberg and more: no clunky exegesis for Robert! This will definitely strike a chord with (and perhaps provide a few ideas for) anyone who has taught a poetry appreciation class.

On to our tour of back issues of Lilliput. I've been struggling all morning with Blogger to get this post done and, at the moment, I can't seem to upload images so I'll eschew posting the cover right now (ah, finally got it: covers may be seen below) and go right to the featured issue, #95. #96 is a broadside by Albert Huffstickler entitled Pre-Dawn Cycle and, as such, not excerpt-able, hence the need to skip back to #95. This issue was originally published in April 1998, ten years ago this month. Here's a little taste of what was happening then:






from Poems to Eat and Say (from Octavio Paz)

Glowing butterflies:
one dreaming, one awake; all
of us tossed by wind.


Leonard Cirino




when the treetop sways
a thousand butterflies
stampede in me

William Hart




Quatrain

This moth fluttering against
the window screen. I could go on
killing 'til the end of time
and never be satisfied.

Greg Watson





And this final note from the incomparable Albert Huffstickler:




from Interim Notes

Those beautiful moments
I've sculpted from the past,
chiseling away the rubble
of conflict and sorrow.




best till next Thursday,
Don