Showing posts sorted by relevance for query "albert Huffstickler". Sort by date Show all posts
Showing posts sorted by relevance for query "albert Huffstickler". Sort by date Show all posts

Monday, April 5, 2010

Albert Huffstickler Memorial Park



The Mayor and City Council of Austin, Texas, will be meeting to consider the naming of a city park after the late, great poet and native son, Albert Huffstickler. Here is the notice I received from Elzy Cogswell of the Austin Poetry Society:

Our proposal to name the small park at South First
and Cesar Chavez for the late and much-loved Austin
poet, Albert Huffstickler, will be considered by the
City Council in its meeting on Thursday, April 22nd.
We proposed the name, Albert Huffstickler Poetree
Grove, but less poetry-oriented names have also
been proposed, so we don't have a lock on this
decision. The choice rests largely on how much the
City Council hears from you. You can e-mail the
Mayor and City Council about it through this
website:

http://www.ci.austin.tx.us/council/groupemail.htm.


If you have ever been touched by a poem of Albert Huffstickler's, I would urge you to send a brief note to the City Council and Mayor letting them know how important that connection is, how rare a gift, indeed, it is for a complete stranger to touch the heart of someone s/he has never met. Honoring Huff in this manner, who championed so many of the downtrodden and disaffected folks of our world who find a moments of peace and solace in the bits of nature we preserve in our urban landscapes, would an honor appropriate to his commitment.

Over the years, I published a handful of broadsides and scores of Huff's work in Lilliput. I've had the pleasure of sharing many of those poems on Issa's Untidy Hut. Here's a link to those poems for those who'd like to take a leisurely stroll with Huff while thinking about life and life only, as another poet put it.






And you too shall
pass, the autumn
tells me, shaking
its leaves
in my face.
Albert Huffstickler









have you come
to save us haiku poets?
red dragonfly
Issa
translated by David G. Lanoue




best,
Don

Friday, March 1, 2013

Albert Huffstickler Honored in Austin: Huff Park (Small Press Friday)

Screen capture: goggle maps

The following notice is from long time correspondent Elzy Cogswell. Elzy is the president of the Austin Poetry Society and, like myself and many, many others, is a long-time fan of the late small press poet, Albert Huffstickler. Huff is one of the finest poets I've had the pleasure to publish in Lilliput Review over the last 24 years and so it is an equally great pleasure to share the news that, after a long, difficult campaign (I posted about this idea way back in April of 2010), the city of Austin is seeing its way to honor one of its favorite sons.


And a lyrical son he was and, in memory, continues to be.


And, since it wouldn't be about Huff if it didn't have some poems, you will find a small selection of pieces I published by him over the years following Elzy's announcement.

I've appended some screen grabs google maps, of the space, above and below.

------------------------------

An Austin Poet Honored

Two years ago, the City of Austin announced it was looking for a name for a park across from City Hall. The Austin Poetry Society endorsed naming the park for the late Austin poet, Albert Huffstickler and conducted a campaign to support it. The trees in the park had been saved by a former Council Member, Margaret Hoffman, and the powerful Austin tree lobby endorsed naming the park for her, and they were successful, not without our support, for poets are also tree people. 

However, as a result of our campaign, the Hyde Park Neighborhood Association (HPNA) took up the cause, asking for such a park in Hyde Park, Huff’s neighborhood for many years.

This is the article which just appeared in the HPNA newsletter, Pecan Press, Vol. 39, no. 2 (Feb., 2013):
You may have noticed the construction of the new green space that the City is installing at the northeast corner of 38th and Duval. This project should be completed around the beginning of February when the City will turn the maintenance over to the Hyde Park and Hancock neighborhoods. The story of this green space begins with Albert Huffstickler, known to many as the "Bard of Hyde Park." Mr. Huffstickler was a longtime resident of the neighborhood and he worked at the Perry-Castañeda Library at the University of Texas from 1973 until his retirement in 1990. For most of his life he wrote poetry, publishing hundreds of poems in journals and small presses, or publishing in his own Press of Circumstance, for which he also provided the cover art. Many neighbors recall visiting with Mr. Huffstickler at one of his neighborhood hangouts like Quackenbush Bakery on 43rd Street or at Dolce Vita on Duval, where he would write poems, work on his charcoal drawings, or visit with neighbors. Ever since he passed away in 2002, neighbors have been thinking of ways to honor him.
A few years ago, City funding became available to construct a green space at a small strip of City property at the corner of 38th St. and Duval. In a joint neighborhood agreement between HPNA and Hancock NA, the City agreed to construct the green space in 2011 and construction began in November 2012. Since this will officially be a "green space" and not a park, the agreement with the neighborhoods and the City are that after construction the City will hand over all maintenance to Hyde Park and Hancock. Former HPNA President Lisa Harris and former HPNA Steering Committee member John Paul Moore were instrumental in working with the City to come up with a design and in working with our Hancock neighbors on the joint agreement for ongoing maintenance that will be necessary to keep the space well watered, mowed, and trimmed. The name Huffstickler Green became an obvious choice for this new green space in honor of the man that so many neighbors know as the Hyde Park poet laureate, and whose poems have appeared countless times in the Pecan Press. We will soon be announcing a date for the opening of Huffstickler Green when we plan to hold a ribbon cutting ceremony.
  
Meanwhile, we are now figuring out how to bring the Huffstickler Green into regular use by Austin poets. 


Screen capture: goggle maps


------------------------------

This past Monday, 2/25/2013, was the 11th anniversary of Huff's passing. It would seem we all still remember and we all still love you very much, Huff. I know I do.  Here is a reprise of twenty poems of Huff's I published in Lillie over the years (and posted here back in 2010):


20 Poems by Huff


 

We forget we're mostly water
till the rain falls
and every atom
in our body
starts to go home






Gullied Lives

Raw ravines
corrugated
by wind and rain
and time.

Hearts don't break.
They weather.



Something random
in the morning air.
Something not
to be named.
Something that starts
where the music ends.





Cafe Poem
That little old lady has a purpose.
She's a cartographer completing the map of her life.
It's there on her face,
as contained, as exact as the will that lies
deep in that small, sunken breast.
She looks around her, laughs.
Another line forms,
another move toward the completion she already envisions.
There's nothing more for us here.
Let's leave her to her work.




Cafe Poem
The woman in
the corner,
white on black,
white skin,
black hair,
black dress,
lights a
long, white
cigarette,
the orange flame
bright
against her cheek.




Memory

You are a dark space
in which a circle
of tiny turquoise stones
revolves endlessly.



Laundromat
This is how Hopper would have painted it:
the line of yellow dryers
catching the sunlight from the broad window.
Man with his hand reached up to the coin slot,
head turned to the side as though reflecting,
woman bent over the wide table
intent on sorting,
another standing hands at her side, looking off -
as though visiting another country;
each thing as it is,
not reaching beyond the scene for his symbols,
saying merely, "On such and such a day,
it was just as I show you."
Each person, each object, static
but the light a pilgrim.



Status Quo
My father, the stone,
rests in my heart
awaiting his completion
with a dry persistence.

I let him wait.
As all stones must,
he is learning patience.




I sought my heart
among the shadows
and found instead
a burnished leaf





I'm getting old now
I think I'll marry
the rain
and settle down



 
I think there is a way
to sculpt silence.
Perhaps that’s what
poems are:
sculptures of silence.




Like a blind dog
I turn my nose
to the wind
and truth
enters me.





We have to learn
not to replace
perception with knowledge.
Forget science.
Pierced by starlight,
I know what a star is.





Write on my tombstone:
Once so easily distracted,
now focused.





In the house of rain
there are many mansions





I wanted to understand
so much all at once
but learned:
to understand everything,
begin with one breath.





And now your shadow
falling across the page.
Where are you?
Why have you abandoned
your shadow?





We forget we're
mostly water
till the rain falls
and every atom
in our body
starts to go home.





All those
I have mourned
will die
with my dying:
my mother's hopes,
and my father's doom:
all the faces,
all the rooms.






And you too shall
pass, the autumn
tells me, shaking
its leaves
in my face.



Albert Huffstickler


------------------------------------

Photo by Clarita



As you will note from the work above, Huff had a great deal of affection for stone:

 

a boulder that looks
like an old woman asleep...
autumn evening
Issa
translated by David G. Lanoue



best,
Don   
 

Send a single haiku for the Wednesday Haiku feature. Here's how.

Go to the LitRock web site for a list of all 158 songs

Sunday, April 21, 2013

Albert Huffstickler Green Dedication



The following comes from John Paul Moore: an announcement of the Huff's Corner Dedication with details, including some poems (one by David Jewell and the last known poem by the man himself). Most importantly, John conveys the feel of how loved Huff is and how dedicated the people are who have been determined, over the 11 long years since his death, to make sure that his memory remains in the collective mind. I will be there in spirit and hope to eventually make the pilgrimage myself sometime in the not too distant future.



--------------------------------------



Huffstickler Green Dedication



 The dedication of Huffstickler Green, honoring the Bard of Hyde Park, Albert Huffstickler (1929-2002), will be 10:30 Saturday morning, May 4.

The Green, already becoming known in the historic Hyde Park and Hancock neighborhoods as Huff's Corner, now freshly landscaped with a low sitting wall, oak trees and crepe myrtles, is on the prominent northeast corner of 38th and Duval, now marked with a temporary banner created by neighbor Mark Fishman.

The spot marks the convergence of the Hyde Park, Hancock and North University neighborhoods, and was created with help of neighbors in all three, working with the City of Austin Public Works Department.

With the enthusiastic participation in both the creation of the Green and the planning of the dedication event, Huff's friends and fellow poets, including an astounding number who Huff directly inspired to become poets themselves, we look forward to sharing and hearing Huff's own words as well as the poems and stories of those whose lives he touched.

Few neighborhoods have their own poet laureate. Kathy Lawrence, who is leading HPNA's dedication effort, reached out to mutual friend and Huff's one-time neighbor David Jewell, who contributed his own poem, "Huff walking to mail a poem,"* to this commemoration, one that aptly captures the image of Huff, the neighbor so many of us knew. And what did Huff think of Hyde Park? In his words, plucked from the seemingly bottomless well of verse that is Huff's legacy, this:
"Whether you are sitting in front of the bakery drinking coffee or walking the evening or standing on your front porch watching the night come in, you’re surrounded by this deep sense of place, of being in a neighborhood, of being spoken to, recognized when you walk down the street, of meeting faces that lack that closed city look that is part of so many areas as crime and distrust grow.  People still recognize and greet each other here and give each other the benefit of the doubt because we’re all part of the neighborhood.  You can’t put a price on that, not in these times."

Albert Huffstickler




 

*Huff walking to mail a poem

by David Jewell

he walks back and forth to the mailbox
to the store   to the post office
to the coffee shop
and he gets coffee
and he smokes and he
writes and he draws
and he doesn't really know it
or feel it   but
he is a sort of saint
or as much of a saint
as i am likely to meet
because he has no pretensions,
and compassion for everyone. . . .
not smarmy syrupy stupid
compassion
he's not afraid to mention it
if someone is acting like an idiot,
but he doesn't really blame them,
he just sort of laughs, and
he writes and he draws and people love him
in a million ways
like he has become everyone's grandfather
like he is an artistic santa claus
and he walks and walks on legs
that look at times
not so sturdy
like he is maybe being helped
by the angels

dj


The Story of Huff's Corner

Albert Huffstickler was a familiar figure in Hyde Park.
It was a short half-block commute from his apartment at 43rd and Avenue H to his favorite table outside Quack's, under the tree that once shaded that little corner by the alley.

We all knew that our neighbor Huff was a poet. If you engaged him, he might write a verse or draw a picture for you on the spot and give it to you. It was only after his death in 2002 that some of us fully realized just how much of a poet he was. In the words of Austin Poetry Society president Elzy Cogswell, Huff was "the Willie Nelson of poetry." He may also have been the most widely published, in hundreds of the little journals and chapbooks published across the world by people more interested in poetry than money.

Just as the sculptor Elisabet Ney a century before him, Huff came to Hyde Park to live out the last days of his life and, like Ney, did some of his best work here.

His late work, written at that table at Quack's, and the others outside Dulce Vita and Julio's, often ponders the intimations of impending mortality.

"Knowing there is only so much time, / I don't rejoice less, but more," Huff wrote in "Don't Ask the Angels How They Fly" on his 69th birthday, in 1996.

In 1997, Huff was honored with a special tribute by the Austin International Poetry Festival and, though some of this recognition was growing among other poets and readers, Huff remained as open and yet self-contained as he had always been, to us, his neighbors.

After his death in 2002, there were more tributes amid the dawning recognition of his unique place among American writers. The Austin Poetry Society continues a tradition that began with Huff at open mikes for poets every fourth Thursday at NewWorld Deli and Huff's poems are often included in the Pecan Press by poetry editor Charlotte Herzele, but except for the mural on the side of Fresh Plus with a button inscribed "Long live Huff" in one corner, there was no other outward memorial to remember our own Hyde Park Poet Laureate.

Later, when Austin Energy awarded "visual mitigation" funds to make up for the towering rust-colored transmission-line posts that run along 38th street, neighbors Wanda Penn and Lindsay Nakashima walked the stretch with Judy Fowler of AE, scouting places where we could plant new trees with the funds. This was in 2006, four years after Huff's death and now seven years ago.

The northeast corner of 38th and Duval presented the best place to plant what will one day be grand trees, unthreatened by overhead wires. Better, this was city property, the remains of a single house lot that had been condemned to make room for a left-turn lane for westbound 38th Street traffic to turn south on Duval, toward the University of Texas.

They say success has many fathers and many neighbors contributed to the creation of this little green space in Huff's honor. These include Judy Fowler of Austin Energy, who on her last day before retiring, saw to the transfer of the mitigation funds to an account established for the Green; Huff's friend and neighbor, the late Joel Cryer, who recruited his own next door neighbor Michael Biechlin to design the landscape; Mary Ingle of NUNA, our own Wanda Penn and Lisa Harris, who kept the pressure on the city while leading us through the bureaucratic maze; Michael Hirsch and Carolyn Palaima of HNA; John Eastman of City Public Works who brought Biechlin's plans, largely intact, to fruition; and Elzy Cogswell.

Elzy knew both Huff and Margret Hofmann. When the proposal to name the grove of oaks across Cesar Chavez from City Hall for Hofmann, Austin's beloved "Tree Lady," came to the City Council in 2010, the APS members made a convincing case for naming it after Huff, but Elzy graciously assented to Hyde Park's proposal to name our corner for Huff, in the face of sentiment from what he referred to, tongue in cheek, as Austin's "powerful tree lobby."

Cogswell wrote at http://tinyurl.com/huffcorner
our effort was successful, in no small part,"because poets are also tree people."

As Don Wentworth of Issa's Untidy Hut, the Lilliput Review's blog, put it, "...though the tribute is in some ways humble, a tribute it is. "

In the seven years it took to realize this tribute, the corner had become something of an eyesore, an illegal parking lot where refuse containers sat all week, where big dogs left evidence their owners cared too little about this shabby place to pick up after them.

This spring, as the fine new oak trees, crepe myrtles and grass take hold, the low limestone sitting walls will attract those who wish to muse, as Huff did, on the passing of the number 7 bus, the students walking and cycling between homes here and the University, no longer an eyesore but a point of pride for all of us.

What remains is for us to involve all who share our love of Albert Huffstickler and the work he left behind. There is much of Huff's poetry online; the trick is choosing the right words for this memorial. The Lilliput Review (linked above) is a great place to start, but be warned, it can be addictive and there is always another Huff verse to be Googled or stumbled upon, or found in boxes and file cabinets in Hyde Park as many other places.

Appropriately enough, most of the planning for the May 4 dedication that hasn't been conducted online has been accomplished at the tables outside Quack's.
Dian Donnell sat at one of Huff's favorite tables in front of Quack's, and reminisced about her longtime friend. She mentioned the table that had Huff's name on it around the corner at Dolce Vita, where the baristas would delight him by having his coffee ready when he arrived. One of his most available books is entitled Why I Write in Coffee Houses and Diners. It was at these tables that Huff spoke with and came to know so many of us.
Dian, who would go on to found the iconic Vulcan Video, knew few people when she arrived at UT in 1967. Huff was a neighbor on 22nd Street, took his coffee and talked and smoked and wrote in those days in the Chuckwagon in the UT Union.

They became friends and remained so for the rest of Huff's life. What was her strongest, most lasting impression of Huff, after all those years of friendship, 11 years after his death?
Dian replied: "Most people will let you talk and just be waiting for their turn, but Huff really listened."

As so many others, Dian would find pieces, objects, fleeting references to things she had told him among his many verses. She would not be alone in pondering these glimpses, "Was that what I mentioned to him? Was that me?

Elzy Cogswell came to Quack's to share the planning and some of his Huff stories, ones that bear repeating. On a sunny beautiful April day under the new palapas, Elzy counseled no haste to create a permanent memorial marking Huff's Corner, but to let such take shape in the minds and imagination of those who want to create something meaningful, who want to be a part of this.

For her part, Dian Donnell believes that what Huff would most want to last, more than his own name, would be his words, his work.  Dian, Elzy and others had a suggestion, and she recited lines from Huff's last poem, written in the hospital on Sunday, February 24, 2002:

"Tired of being loved,
Tired of being left alone.
Tired of being loved,
Tired of being left alone.
Gonna find myself a place
Where all I feel is at home."

Albert Huffstickler

I, for one, believe Huff would approve, but I also want to hear the thoughts and hearts of others.

John Paul Moore



 




Sometimes all that
memory can hold is this:
the sound a door makes
opening as someone enters,
closing as someone leaves.
Albert Huffstickler

-------------------- 



to saintly eyes
they are bodhisattvas...
cherry blossoms
Issa
translated by David G. Lanoue




   
best,
Don   

Send a single haiku for the Wednesday Haiku feature. Here's how.

Go to the LitRock web site for a list of all 163 song
 

Sunday, June 16, 2013

Huff Dedication Redux: John Paul Moore


(Click on rectangle in bottom right corner of frame to expand )
 

What follows is a report from John Paul Moore on the Huff's Corner Dedication in Austin, Texas, which took place last month. My thanks to him, and all the Austin folks, for sending along all the details and allowing me to share them on the web with the folks who love Huff and his work. 

Cheers, John, and all.

------------------------------- 

 Honoring and sustaining community at Huff's Corner Dedication

Under clear blue skies of a particularly lovely Saturday morning May 4, more than 50 of Albert Huffstickler's friends, neighbors, readers, admirers and fellow poets dedicated Huffstickler Green to the memory of the late Bard of Hyde Park at 38th and Duval.

Huffstickler (December 17, 1927 – February 25, 2002) or Huff, as he was known to his many friends, was a two-time winner of the Austin Book Award who crafted his poems and drawings and smoked and talked and drank coffee in Hyde Park for most of the last decades of his life. (See Pecan Press, May 2013.) The dedication was the kind of  low-key, human-scale event his friends agreed Huff would have wanted.

HPNA Co-President Ashley Schweickart presided over the formal ceremony, retelling the story of the creation of Huff's special corner and attempting to mention each of the scores of people who were part of the effort in all three neighborhoods which converge here--Hancock, Hyde Park and North University--and beyond.

Ashley also announced and expressed the neighbors' gratitude for the essential cooperation of adjoining property owner David Triche, and the added generosity of Michael Biechlin, who contributed not only the landscape design for the Green, but has volunteered that his company, Groundsmasters, will maintain the green for the crucial first six months of the new plantings.

She then recognized the HPNA members who organized the dedication: Chair Kathy Lawrence, Mark Fishman, and John Paul Moore, who read a Proclamation sponsored by Councilperson Kathie Tovo and signed by Mayor Lee Leffingwell officially designating May 4, 2013 as Huffstickler Green Dedication Day in Austin.

The resolution reads, in part "This green space was created through a cooperative effort of Hyde Park, Hancock and North University Neighborhood Associations, Austin Energy, the City's Public Works Department, Austin Parks Foundation, Austin Poetry Society and the Lilliput Review…"

Ashley then turned the podium over to Elzy Cogswell, president of the Austin Poetry Society, for the part Huff would have liked best: The reading of poetry, both Huff's and those he inspired, and the telling of stories about this kind, gentle, honest man.

Elzy began by reading an email from Don Wentworth, editor of the Lilliput Review, a poetry journal that published many Huffstickler poems since its founding 1989 in Pittsburgh, Pa. Wentworth has been promoting a Huff memorial to the readers of the Review and his blog for a number of years.

"As you all know, whether with words or his simple presence,the most important thing he accomplished is Huff touched the hearts of those he met and those who read his work very deeply, indeed" Wentworth wrote, adding, "Lilliput Review has had quite a few accomplishments over the years. Being listed on this proclamation I will always cherish as the greatest."

Claire Rivers, a student at Hyde Park's Griffin School, read from Huff's work, followed by a procession of speakers sharing their verses and memories, including David Jewell, Valerie Inman, Sylvia Manning, Joe Hoppe, Lou Faiel-Dattilo, Thom O Austin, Dennis Cole, Ron Hartman, Greg Gauntner, Grant Thomas, Ralph Hausser, Wade Martin and Ken Martin.

As the verse and stories unfolded, many of them intensely personal and revelatory of the kind of man Huff was, one neighbor, moved by the words, turned to another and said, "This is what these old neighborhoods are for: telling stories, keeping history alive, providing community."

At the HPNA general May membership meeting, Hyde Park Mayor for Life Dorothy Richter asked to be recognized to praise the dedication and Huff's Corner. On his own initiative, Oliver Franklin, the new curator of the Elisabet Ney Museum, proposed the creation of a regular Huffstickler event at the Museum, due to be re-opened after renovations June 1.

The basket passed at the dedication yielded several hundred dollars in contributions and pledges to go toward a permanent installation honoring Huff at the Green, and at least one more suggestion for what words might be appropriate, from the collection of Huff's poems distributed as keepsakes of the ceremony, was this:

I didn't ask
to be a poet.
They were having
a yard sale in Heaven
and it was
the only thing
I could afford.

Albert Huffstickler

Mary Ingle, the North University neighborhood leader who played a pivotal role in creation of the green, has agreed to keep working with her Hyde Park and Hancock neighbors on continuing improvement and maintenance of the Green. Stay tuned. And Long Live Huff.

John Paul Moore


------------------------------- 


Photo by Muhammad Mahdi Karim



She had a brother who died of cancer
"We never touched in our family.
I keep thinking about it.
I never touched him before he died."
Her eyes distant
as though she stood now on the brink of live,
leaned forward, arms outstretched ...

This is not a poem.
It's something else
less conclusive, more final:
a single butterfly wing,
intact, perfect,
dropped by the wind
on the summer grass.
         Albert Huffstickler




Photo by Jenny Downing




just one blade
of thick summer grass
works fine
Issa
translated by David G. Lanoue




best,
Don   

Send a single haiku for the Wednesday Haiku feature. Here's how.

Go to the LitRock web site for a list of all 167 songs

Friday, May 21, 2010

Albert Huffstickler: The Way of Art




The Way of Art

It seems to me that
paralleling the paths of action, devotion, etc.
there is a path called art
and that the sages of the East would recognize
Faulkner, Edward Hopper, Beethoven, William
------Carlos Williams
and addresses them as equals.
It's a matter of attention and discipline, isn't
------it?–
combined with a certain God-given ability.
It's what you're willing to go through, willing to
------give, isn't it?
It's the willingness to be a window
through which others can see
all the way out to infinity
and all the way back to themselves.
Albert Huffstickler


Opening his collection of selected poems, Why I Write in Coffee Houses and Diners, "The Way of Art" is a manifesto of sorts, if a word such as this would apply a poem by such a man, such a poet, as Albert Huffstickler.

Like all his work, the language is simple, the images are plain (in this case, being a philosophical piece, virtually non-existent), and it is drawn from reality; this time it is the reality of who he is and what he does rather than the reality of what surrounds him which is so predominates his other work. It is comprised of 4 simple sentences: one declarative, two questions, and a final summing up. At that, the questions themselves are rhetorical; he is leading the reader through as one would in conversation with a friend, saying "Here, here is what we do, here is why."

If I was forced back to the wall, finger thrust in my chest, and told, ok, one word, one word only to sum up one of the great small press poets of the 20th century, Albert Huffstickler, the word would be compassion. Plain and, perhaps, not simple, but compassion would be the word. All of his work, even that which looks intensely inward, is always ultimately pointed outward, is there for the sharing, the comparing, the summing up of who we are and what we are about on this little spinning pebble in the gutter of existence.

His work has always spoken to those for whom poetry has hardly ever even been a thought, let alone a purpose. This alone says all that needs to be said.

"The Way of Art" is a declaration of purpose, a declaration of intent. It is a spiritual poem, uncharacteristically referencing the masters, East and West, characteristically seeking after and finding an answer of sorts.

There is the many blossomed lotus; there are a thousand paths; there is one destination.

The purpose of the artist - "The Way of Art."


------------------------------------------


Here is a selection of 20 short poems by Huff, the tip of the iceberg, really, that were published over the years in Lilliput Review and have made an appearance here at Issa's Untidy Hut or on the former Lillie blog, Beneath Cherry Blossoms. If these amaze you as much as they do me just think: the longer lyric was really Huff's strength, anywhere between 24 and 60 or so lines. He told me he started writing short poems, sitting in the various diners and coffee shops he habituated, specifically for Lilliput.

I could never thank him enough.




20 Poems by Huff


We forget we're mostly water
till the rain falls
and every atom
in our body
starts to go home






Gullied Lives
Raw ravines
corrugated
by wind and rain
and time.

Hearts don't break.
They weather.








Something random
in the morning air.
Something not
to be named.
Something that starts
where the music ends.







Cafe Poem

That little old lady has a purpose.
She's a cartographer completing the map of her life.
It's there on her face,
as contained, as exact as the will that lies
deep in that small, sunken breast.
She looks around her, laughs.
Another line forms,
another move toward the completion she already envisions.
There's nothing more for us here.
Let's leave her to her work.

--




Cafe Poem
The woman in
the corner,
white on black,
white skin,
black hair,
black dress,
lights a
long, white
cigarette,
the orange flame
bright
against her cheek.







Memory
You are a dark space
in which a circle
of tiny turquoise stones
revolves endlessly.





Laundromat
This is how Hopper would have painted it:
the line of yellow dryers
catching the sunlight from the broad window.
Man with his hand reached up to the coin slot,
head turned to the side as though reflecting,
woman bent over the wide table
intent on sorting,
another standing hands at her side, looking off -
as though visiting another country;
each thing as it is,
not reaching beyond the scene for his symbols,
saying merely, "On such and such a day,
it was just as I show you."
Each person, each object, static
but the light a pilgrim.





Status Quo
My father, the stone,
rests in my heart
awaiting his completion
with a dry persistence.

I let him wait.
As all stones must,
he is learning patience.







I sought my heart
among the shadows
and found instead
a burnished leaf







I'm getting old now
I think I'll marry
the rain
and settle down







I think there is a way
to sculpt silence.
Perhaps that’s what
poems are:
sculptures of silence.








Like a blind dog
I turn my nose
to the wind
and truth
enters me.








We have to learn
not to replace
perception with knowledge.
Forget science.
Pierced by starlight,
I know what a star is.







Write on my tombstone:
Once so easily distracted,
now focused.







In the house of rain
there are many mansions







I wanted to understand
so much all at once
but learned:
to understand everything,
begin with one breath.







And now your shadow
falling across the page.
Where are you?
Why have you abandoned
your shadow?







We forget we're
mostly water
till the rain falls
and every atom
in our body
starts to go home.








All those
I have mourned
will die
with my dying:
my mother's hopes,
and my father's doom:
all the faces,
all the rooms.







And you too shall
pass, the autumn
tells me, shaking
its leaves
in my face.

Albert Huffstickler





Issa is busy today muddling over the above. In the interim, he left this:




with a just-yanked
radish
pointing the way
Issa
translated by David G. Lanoue





best,
Don

Sunday, April 27, 2014

Albert Huffstickler Poem in New Arianna Huffington Book


Anyone who reads this blog regularly or has been a subscriber to Lilliput Review from way back knows how much I love the work of Albert Huffstickler. A few months back I was contacted by a representative of Arianna Huffington about reprinting a poem by Huff that I had published in Lilliput Review #117 and, subsequently, in a blog post (scroll to end) for Lilliput's previous blog, Beneath Cherry Blossoms, where Ms. Huffington evidently encountered the poem. 

I, of course, had no objections, but needed to help find out who held the rights to the poem in the Huffstickler family. After a number of contacts, I was able to direct Ms. Huffington's representative to a member of the family who was able to grant permission. 

This is quite a journey by this brief, powerful poem by a small press poet who touched so many souls while he was alive and the decade plus since he's death. I don't know the print run for Thrive, but its a New York Times Bestseller, so 6 figures is not out of the question, possibly more considering the Internet dominance of her site, The Huffington Post.

And then, there is that poem that touched her like so many have been touched by Huff's work:

We forget we're
mostly water
till the rain falls
and every atom
in our body
starts to go home.
    Albert Huffstickler

I'm not sure what Huff would make of all this but I'm betting that he'd think, well, if a hundred thousand or so people read this one poem and if a it grabs a handful, I've done my job well.

Huff, 13 years after you've gone and you've still got it. Now that would bring a quick smile before returning to the next cup of coffee, the next cigarette, and the next blank sheet of paper beckoning for your whole heart and soul.

Thanks again, Huff. And thanks to Arianna Huffington, for passing a gift on to so many who would otherwise not known.

------------------



a day for wandering
a day for haiku...
spring rain

Issa
translated by David G. Lanoue


Wonderful video on Huff by Matthew Listiak


best,
Don

PS If anyone would like a copy of Lilliput Review #117 with the Huff poem, drop me a line. It's still available.  






Monday, June 21, 2010

Albert Huffstickler: "Holy Secrets" and "Having Dinner with Henry Miller"


"Dinner with Henry Miller"

Click on picture to watch video



"Holy Secrets: the Poetry and Art
of Albert Huffstickler

Click on picture to watch video


Here are two great videos for your viewing pleasure while I put my feet up and relax a bit. The first comes by way of recommendation of the ever vigilant poet/artist, Ed Baker, who set me on my path of recently pursuing The Hamlet Letters by Henry Miller. The second is a short film by Matthew Listiak which I've passed on to folks before, but its been long enough to, one, recommend it again for folks new to these parts and, two, watch again for those of us who've seen it before.

It is a revelation, which is about the best one word summary of Albert Huffstickler I can think of.

Miller wrote a book entitled The Books in My Life. From that book is an interesting section on Krishnamurti, interesting as much for what it says about Miller as it does for the great spiritual leader:


After a long discussion with a man in Bombay, the latter
says to Krishnamurti: What you speak of could lead to
the creation of supermen, men capable of governing
themselves, men who would be their own masters, absolute.
But what about the man at the bottom of the ladder, who
depends on external authority, who makes use of all kinds
of crutches, who is obliged to submit to a moral code which
may, in reality, not suit him?

Krishnamurti answers: See what happens in the world.
The strong, the violent, the powerful ones, the men who
usurp and wield power over others, are at the top; at the
bottom are the weak and gentle ones, who struggle and
flounder. By contrast think of the tree, whose strength
and glory derives from its deep and hidden roots; in the
case of the tree the top is crowned by delicate leaves,
tender shoots, and the most fragile branches. In human
society, at least as its constituted today, the strong and
the powerful are supported by the weak. In Nature, on
the other hand, it is the strong and powerful that
support the weak. As long as you persist in viewing each
problem with a perverted, twisted mind you will accept
the actual state of affairs. I look at the problem from
another point of view ... Because your convictions are
not the result of your own understanding you repeat
what is given by authorities; you amass citations, you
pit one authority against another, the ancient against
the new. To that I have nothing to say. But if you
envisage life from a standpoint which is not deformed or
mutilated by authority, not bolstered by others'
knowledge, but from one which springs from your own
suffering, from your thought, your culture, your
understanding, your love, then you will understand that
what I say - "car la méditation du coeur est l'entendement"
... Personally, and I hope you understand what I say now,
I have no belief and I belong to no tradition. I have always
had this attitude towards life. It being a fact that life varies
from day to day, not only are beliefs and traditions useless
to me, but if I were to let myself be enchanted by them,
they would prevent me from understanding life .... You
may attain liberation, no matter where you are or what
the circumstances surrounding you, but this means that
you must have the strength of genius. For genius is, after
all, the ability to deliver oneself from the circumstances
in which one is enmeshed, the ability to free oneself from
the vicious circle ... You may say to me - I have not that
kind of strength. That is my point of view exactly. In order
to discover your own strength, the power which is in you,
you must be ready and willing to come to grips with every
kind of experience. And that is just what you refuse to do!

This sort of language is naked, revelatory and inspiring. It
pierces the clouds of philosophy which confound our
thought and restores the springs of action. It levels the
tottering superstructures of the verbal gymnasts and
clears the ground of rubbish. Instead of an obstacle race
or a rat trap, it makes daily life a joyous pursuit.


Just in case you missed it, what has been gifted by Krishnamurti to Miller and what Miller is now gifting his readers is simply the one single truth. This is it, folks, what everyone is seeking, what the hucksters are husks-ting, be they prophets, poets, presidents, priests ... the big one. You, too, can quit that pesky full-time job and make thousands a month doing next to nothing ... and it's the truth. Krishnamurti is first in line to say a guru is someone who picks your pocket and sells you back what you already had.



The Daily Show With Jon StewartMon - Thurs 11p / 10c
Respect My Authoritah
www.thedailyshow.com
Daily Show Full EpisodesPolitical HumorTea Party



Let's just recap for a sec:



The Daily Show With Jon StewartMon - Thurs 11p / 10c
Ore on Terror
www.thedailyshow.com
Daily Show Full EpisodesPolitical HumorTea Party



See the thread here? I'm just guessing, but I'd bet Henry Miller wouldn't be laughing ... not laughing at all. There's the gift.

Ok, so maybe I didn't really relax and put my feet up after all.

Here is another poem from Huff's wonder full collection Why I Write in Coffee Houses and Diners: Selected Poems. I've ever you feel there is no hope, pick up.

Huff'll talk you down.

Nostrum
Some days I just let
..................everything go
and sink into the neighborhood,
sit on a bench
..................in front of the bakery,
talk to anyone that passes
and don't think about
..................anything at all.
I think they call that
..................healing.
Albert Huffstickler









thinking of taking off?
goose on tiptoe
on tiptoe
Issa
translated by David G. Lanoue





best,
Don