William Wharton and Sharon Olds

It's come to my attention that one of my favorite writers, William Wharton, has died recently. Wharton is best known for his first novel Birdy (possible spoiler alert), an eccentric, moving, emotionally charged novel about the relationship of two young men growing up in the 50's and 60's. Birdy is obsessed with birds, his love at times going beyond what can be safely described as psychologically healthy. Al, his best friend, recounts his life and the story of his attempt to bring him back from the brink when he is damaged seemingly beyond repair during war .

Even more relevant for me personally was his second book Dad, which I read while my own father was going through a long, painful process of dying. It was a comfort and revelation, as sometimes only a book can be. A novel doesn't have to be by a Tolstoy or Proust to move us to the point of changing our world. This book did that and it's impossible to say how grateful I was.

Wharton himself lived a wonderful, tragic, eccentric life. I intend to post about him in some depth at the blog, Eleventh Stack, that I contribute to at my job and so will notify folks when that goes up. Though all the obituaries internationally praised him (oddly, he was beloved in Poland, having a number of works recently translated from English to Polish, including a sort of sequel to Birdy entitled Al, without ever having been published in English), he is one of those authors I believe will rapidly slip into obscurity.

I'd like to deliver one blow against the darkness for him before it finally descends.

This week is the birthday of Sharon Olds, one of the best mainstream poets writing in America today. Much of her work is intensely personal but, like all great authors, she manages to universalize the details so they resonant powerfully for her readers. Here is a poem that at once contains elements representative of her work and yet takes a somewhat different stylistic approach. Here the particular seems literally universal and there is a humor on display more overtly than is usually the case.




Topography

After we flew across the country we
got into bed, laid our bodies
delicately together, like maps laid
face to face, East to West, my
San Francisco against your New York, your
Fire Island against my Sonoma, my
New Orleans deep in your Texas, your Idaho
bright on my Great Lakes, my Kansas
burning against your Kansas your Kansas
burning against my Kansas, your Eastern
Standard Time pressing into my
Pacific Time, my Mountain Time
beating against your Central Time, your
sun rising swiftly from the right my
sun rising swiftly from the left your
moon rising slowly from the left my
moon rising slowly from the right until
all four bodies of the sky
burn above us, sealing us together,
all our cities twin cities,
all our states united, one
nation, indivisible with liberty and justice for all.

Sharon Olds

Cover Art by Harland Ristau

This week's issue from the Lilliput archives is #65, from February 1995. To put things in gentle perspective, on February 23rd, 1995, the Dow Jones average closed at 4003.33, the first time it ever closed over 4000. Poetry, at that time, may also have been a tad more innocent, though I'm not sure if you can tell from the following. Enjoy.



------------------------------------------------------


Icarus

And I saw it through the barred
window, your hand with bits
of light in it. I licked them like a horse
and grew wings no sun can kill.

Ali Kress

------------------------------------------------------

Dialectician

The
entire
leaf
he
shoulders
has
roots
elsewhere

Gregory Vincent S. Thomasino

------------------------------------------------------



Paint Sadness

floating
down a
river

catching
on tree
roots

swirling.

Suzanne Bowers

------------------------------------------------------

Elegy

He would have to tell this one to Dad.
He started to pick up the phone
and dial the number,
smiling all the while.

Then he remembered.
When everyone asked him
who he was going to call
he was afraid to answer.

Daniel J. McCaffrey

------------------------------------------------------




Guardrail Graffiti (A Found Poem)

DICKNOSE
FUCK YOU
I LOVE DRUGS

Bart Solarcyzk

------------------------------------------------------

Bird Haiku #14

Wings extended across the ground
a dead sparrow
flies into eternity.

David Rhine

------------------------------------------------------



In memory of Suzanne Bowers and Harland Ristau.



best,
Don

Ray Charles: The Fifth Haiku Master

Lots doing as the next two weeks will be somewhat chaotic at my job, so I'll just be skimming the surface here with a couple of highlights, a new feature, a reminder and some old fashioned getting-down. I'm so steeped in Basho that haiku seem to be falling from me like leaves from the plane tree across the way. This morning, in a pre-waking hypnagogic state, a perfect haiku came full blown from nowhere, I'm still stunned. I believe I'll continue steeping as long as I'm able. I'm making progress in both volumes (the Reichhold and Landis Barnhill translations), having read over 500 haiku in each. In the Reichhold volume that is only halfway, well past three-quarters in the Landis Barnhill. I hope to be highlighting selected haiku from both in a future post.

Which segues to a reminder that there is one week left to the deadline for the Basho Haiku Challenge, so if you've been thinking about sending some along, now's the time to pull the trigger. There are well over a hundred haiku already and more would be just the ticket.


While touching on ongoing projects, the Near Perfect Books of Poetry list is approaching the milestone number of 150 (been stuck on 148 for a couple of weeks). So if you have any suggestions, the original offer of the current 2 issues of Lillie free (or two issues added to your subscription) stands.

Since the Near Perfect list has been reader generated, I thought it might be a good idea to feature work from the books on the list when possible. First on the list is Anna Akhmatova's Selected Poems. Here is a typically powerful poem, in a translation by D. M. Thomas:

Why is our century worse than any other?
Is it that in the stupor of fear and grief
It has plunged its fingers into the blackest ulcer
Yet cannot bring relief?

Westward the sun is dropping,
And the roofs of towns are shining in its light.
Already death is chalking doors with crosses
And calling the ravens and the ravens are in flight.

If you have a chance, don't miss the most recent post over at trout fishing in minnesota. Jim has much to say about the qualities of wood, traveling guts, and the voices of a wide variety of trees. Jim's ruinations segued synchronistically with the first bit of fiction I've read in nearly two months (its been strictly poetry with all the program preparation I've been doing). Here is the opening paragraph to Thomas Hardy's Under the Greenwood Tree, which I read about a week ago like a parched traveller at a fresh spring:

To dwellers in a wood almost every species of tree has its voice as well as its feature. At the passing of the breeze the fir-trees sob and moan no less distinctly than they rock; the holly whistles as it battles with itself; the ash hisses amid its quiverings; the beech rustles while its flat boughs rise and fall. And winter, which modifies the note of such trees as shed their leaves, does not destroy their individuality.

This weeks featured back issue of Lilliput Review is #76, from January 1996.




--------------------------------------------------------------------


The Marriage Vow
Here and now, we will compose
our own fairy tales,
beginning each fable
with an empty room, an open window.

Hilary Lyon

Wish I Weren't Here
the roots of the nerves of my pain are cut
i am alone on a riverbank
northeast of death and southwest of remorse
i cannot sing. there are no tears.

Shelley Stoker

Empathy
String your feet to mine
I want to walk you through
this century like you were
an easy weight on my back,
or a thousand rose petals
or a building full of wind.

Ali Kress

Within Bounds
Dog-eared history,
reams of yellow second-sheets,
folks gathering round, the waters, parted,
try to understand, you debtors,
try to understand.

Errol Miller

membrane
the false world falls away
where have you been --we ask

Lisa Helgesen

--------------------------------------------------------------------



Since the original Ed Coletti suggested video of Ray Charles, Fats Domino, and Jerry Lee Lewis has disappeared into the cosmic ether, here is a reasonable substitute: enjoy.



 

best,
Don

Basho, Burns, Brautigan, Amy Lowell, and Jacko?

Cover art by John Bennett

Busy, busy times, so posts for the next couple of weeks will be sporadic and brief. The Basho Haiku Challenge is off to a great start, with lots of entries coming in. Thanks very much to Poet Hound, Haiku and Horror , Blogging Along Tobacco Road, and trout fishing in minnesota for getting the word out. I'm sure there are some others, too, that I don't know about, but thanks all.

So, keep the haiku coming in, folks. Instructions may be found at the Basho Haiku Challenge link, above.

And keep spreading the word.

As alluded to above, not much progress on any fronts. I haven't read any fiction in over a month and I am seriously jonesing. When I see the piles as I go room to room, you can't imagine the variety of voices I hear calling to me from every corner: classic, modern, sci-fi, horror, any damn thing. They all want to be read and I want to read them all and the discipline is killing me.

I continue to read, however, for both the haiku challenge and a future Modest Proposal project, two different translations of Basho, one at work and one at home. At home, I'm reading the Jane Reichhold Basho: the Complete Haiku, which is the prize for the challenge and, I'm happy to say, I'm beginning to warm to it a bit. All the translations I've read so far have had one thing to recommend them: specifically, Basho himself. This may seem ludicrous but what I mean specifically is that I seem to be encountering different aspects of the same poet in the different translations. A poem I loved in one translation, I'm indifferent to the next and, of course, vice versa. At work, I'm still reading David Landis Budhill's Basho's Journey which, after the Reichhold, is the most complete and has notes for every poem. They'll be more details on both of these volumes in future posts.

Come mid-October, I hope to be working on the new issues, #'s 165 & 166, along with a new chapbook in the Modest Proposal series, a second volume of translations from 100 Poems by 100 Poets, by Dennis Maloney and Hide Oshiro. This volume will concentrate on poems of nature following the previous Unending Night, which contained love poems.

Jilly Dybka at Poetry Hut has pointed to a beautiful, pointed September poem by one of my favorite poets, Amy Lowell (particularly her shorter poems). Here it is, September, 1918; I think you'll enjoy it.

A Richard Brautigan poem, Star Holes, seems to be making the blog/live journal rounds. This guy just won't lay down and, of course, that's why we love him. Here it is:

Star Holes
I sit here
on the perfect end
of a star,

watching light
pour itself toward
me.

The light pours
itself through
a small hole
in the sky.

I'm not very happy,
but I can see
how things
are faraway.

Richard Brautigan

Finally, in the news of the truly odd, Michael Jackson has reportedly recorded musical versions of the work of Robert Burns. If I didn't read it in The Guardian, I wouldn't have believed it.

You know what: I still don't believe it.

This week's issue from the Lilliput archive is #78 from March 1996.



----------------------------------------------------



I sought my heart
among the shadows
and found instead
a burnished leaf

Albert Huffstickler

----------------------------------------------------

Drag me in,
you are a night that is just beginning.
You are a room I've seen
but have never slept in.
Your shoulder pushes against
the world's edge, and the sky
scrapes softly on my cheek.

Ali Kress

----------------------------------------------------



Selfless
-----The pulsing
of the soft brown muslin curtain,
for example

And the quietness of rain,
taking you apart

Mark Jackley

----------------------------------------------------

Thank You
To the pirate faced biker
streaming slowly down
Marshall Avenue,
colors jazzed in the
night time light,
front wheeled Harley
out to here, black
jacket man with beard
of steel, who saw my
one year old boy craning
in his blue stroller
and waved.

Michael Finley

----------------------------------------------------



Poem Inspired by Hokusai, #7

Hokusai
in hell
draws perfect
circles
one inside
the other.

Alan Catlin

----------------------------------------------------

When My Ashes Have Cooled Down

Pitch me to the nearest wind.
I'll find my way home.

Bart Solarczyk

----------------------------------------------------

best,
Don