Showing posts with label Ronald Baatz. Show all posts
Showing posts with label Ronald Baatz. Show all posts

Friday, November 2, 2012

Ronald Baatz: 3 Poems - Small Press Friday

Photo by Kormoran


I love the work of Ronald Baatz, as evinced by this review of his chapbook, Bird Effort, from Kamini Press. He writes great, brief poems without any constraint as to form. They are what they are, natural as a morning glory found twirling its way through the world. 

Recently Ronald sent along three poems that I enjoyed so much I asked and received permission to share them with readers of The Hut. He kindly acquiesced.

Often when I think of his work, the word delicacy comes to mind, not just in execution or image, but a certain delicacy of feeling, more implied than stated, running just beneath the surface. 

Here are 3 poems that grabbed me for a variety of reasons, with one uniting element: the eye and sensibility of Ronald Baatz:


By the river
I find a wooden flute
with holes rotted in it



Consider this a meditation haiku. You have your assignment.




A crow lands
in its shadow-
I land in this poem





At first glance, this appears to be glib, a post-modern ditty of sorts. Look again, at crow, at shadow, at person.


Her lips
soft as
ant dirt



Six words and the lump in my throat won't go away. Every time I read it.


------------------------------




looking younger than me
the scarecrow casts
his shadow
 
Issa 
translated by David G. Lanoue





 Photo by Gerry Lewis





best,

Don 


Send a single haiku for the Wednesday Haiku feature. Here's how.


Go to the LitRock web site for a list of all 139 songs

Wednesday, February 22, 2012

Jeff Hanson & Ronald Baatz: Wednesday Haiku, Week 56

Tsuchiyama by Hiroshige




autumn rain… some things wash away
Jeff Hanson




Photo by Ponx





Wet yard
quiet as
drizzle
Ronald Baatz











half of it
is flitting snowflakes...
spring rain
Issa
translated by David G. Lanoue




best,
Don



Send a single haiku for the Wednesday Haiku feature. Here's how.

Go to the LitRock web site for a list of all 128 songs

Saturday, August 29, 2009

Correction: Ronald Baatz's Bird Effort



Carl Larrson

There were a number of transcription errors, along with a factual one, in the original version of Wednesday's post reviewing Ronald Baatz's Bird Effort, which have been corrected. If you enjoyed the work you read there, you may want to revisit it as the poetry is now presented as it was intended. Thanks very much to Ronald Baatz for pointing this out and for his sympathetic understanding. My apology has been most graciously accepted.



ashamed--
eyes glued to the chestnut
beyond reach
Issa
translated by David G. Lanoue


best,
Don

Wednesday, August 26, 2009

Bird Effort by Ronald Baatz & a "Hot August Night"



Cover art by Henry Denander

There are so many wonderful small presses out there, doing all manner of work, in all manner of styles. One of the finest operations around is Kamini Press out of Sweden. The quality and care put into their books is obvious even before you hold one of their books in your hands: they are, as the cliché goes, a sight to behold.

Once in hand, first impressions are confirmed: the cover, the art, the paper, and the overall production is outstanding. Their statement of intent from their website says it all. Respect the poetry with the highest quality production possible, the rest will follow. It makes those of us on the lower end of things hang our heads in shame.

All this before even arriving at the first words. The poetry itself.

Bird Effort by Ronald Baatz is No. 4 in the "Kamini Press Poetry Series" and here are two little gems that open the volume:




When the stream overflowed
the long grass
is combed close to the earth


You sing to the bird in me
I sing to the bird in you–
an effort
we love to face
each dawn



There is a depth of feeling in these poems delicately hinted at, subtly revealed:



Leave me bread
at least a few slices
leave me your voice
at least a few words
to go with the bread



Snow this morning
when I part the curtains
after getting out of bed
one rib
at a time





A sudden shift in perspective, and the introspective mode becomes all-embracing:



Finally
winter is losing its grip-
in my sleep
I hear the pond's spine
cracking


Receiver
hanging off the hook
in a phone booth
hanging off
the earth




And again:


Digging
her canary's grave
she catches the reflection
of lovely orange feathers
in the spoon


The old die old
sometimes the young
die young
and the little we know
the harsh winds blow




This beautiful little book contains 50 small poems, many 5 lines each, all tankas in their mood and construction, beautiful in their revelation. There is a simultaneous sadness and acceptance, a joy tempered by the real, a resonating wisdom. I can't resist - here is one more:



So many crows-
as though the earth
is turning black
from so many bones
buried in it


Can't blame the crickets
for crying out hour after hour-
summer having lied about
how long
it'd stay



This is the small press at its finest, the quality of work matched by the quality of the production, a beautiful reflection of life, work, dedication, and truth.



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This Saturday night, there will be a reading sponsored by Six Gallery Press at Modern Formations Art Gallery here in the Burg. There are some mighty fine people reading that evening and so, if you are in the area, stop by. 14 writers for $5, it doesn't get much better than that. It will be my first public reading in over 20 years and will be a mixture of Lilliput work, in celebration of the 20th anniversary, and my own poems. A number of folks, including Kris Collins, Che Elias, René Alberts, Jerome Crooks, and John Grochalski have managed to drag me out of hiding after all these years and I have to thank them all for helping re-energize an old fart. Fortunately for me (and everyone else), there are so many folks reading that our time will be necessarily brief.

We'll see if I'm into this poetry thing after all ...


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This week's featured issue of Lilliput Review ,#165 from November 2008, is so new it's still not in the archive. Enjoy.



Autumn's vibrant hues
or is it we who vibrate
in vivid rhythm
Harry Smith




lotus blossom
------evening twilight
M. Kei





full
moon
belongs
to
no one

nonetheless
Ed Baker




Chrysanthemums
He was a Japanese tourist.
At the checkout
they had to take his check
without proof of signature.
For all they knew
he might have written:
In the eastern garden
frost
on the late chrysanthemums.
David Lindley








cultivated chrysanthemums
wither
first
Issa
translated by David G. Lanoue





best,
Don

NB There were a number of transcription errors, along with one factual, in the original version of this post, which have been corrected. Thanks very much to Ronald Baatz for pointing this out and for his sympathetic understanding. My apology has been most graciously accepted.