Showing posts with label Pittsburgh. Show all posts
Showing posts with label Pittsburgh. Show all posts

Sunday, December 1, 2013

W. S. Merwin: Late Autumn poem

Photo by Alice Popkorn



Crows on the North Slope

When the Gentle were dead these inherited their coats
Now they gather in late autumn and quarrel over the air
Demanding something for their shadows that are naked
And silent and learning
W. S. Merwin

The mystery is here - who, for instance, are the Gentle - and over 45 years later followers of Merwin know he tills the same soul, while Nature calls the tune. This time of year, as the sun has edged over the horizon I can see for the entire two miles, and beyond, that I walk home from work, the evening movement of, I'm told, up to 16,000 crows every evening across the greater Pittsburgh environs. 

If you've never been to Pittsburgh, it is startling to realize how perfectly integrated this mid-size American city is with the natural environment. It would take a lot shorter period of time than most American cities to revert back to its original condition if, for instance, the much lauded Pittsburgh zombie apocalypse ever came to be.

I ran across this poem in an early volume of Merwin's work, entitled Animae, which I found in one of great local used and rare booksellers, Caliban Books. A volume full of wonder. 

~~~~~~~~~~~~~~~~~~~~~


with our gods out of town
they raise a ruckus...
crows
Issa
translated by David G. Lanoue




best,
Don

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Monday, May 18, 2009

Jack Gilbert Tribute Reading



A report on the Jack Gilbert Tribute reading May 12th in NYC has just been posted at the Gilbert site on Facebook, courtesy of Jason Mashak and written by Boni Joi. For those of you as taken with Jack as I am, here it is:



The reading was great! Each reader was full of energy and anecdotes about knowing or being influenced by Jack's work. Jack sat right in the front row. The readers were introduced by Alice Quinn and they were supposed to go in alphabetical order but Alice introduced Linda Gregg first, which was a nice mistake. Each poet read their favorite poems and one or two from the new book "The Dance Most of All." Deb Garrison helped Jack pick the title, it is a fragment from one of the poems in the new collection (sorry I forgot which one). Linda asked Jack how he felt that morning and he said "Grateful." Jim called Jack a famous and great walker, who would walk two miles just for a loaf of bread and some cheese. Jack loves to walk. Henry Lyman said once a neighbor asked Jack "Are you a poet?" and Jack replied "On certain lucky days." Gerald told of days in Pittsburg and a trip they took once that Gerald wrote an essay about.

I will list the readers in order and what poems they read:

Linda Gregg
Angelus
A Description of Happiness in Kobenhavn
Going Wrong
We Are the Junction

Jim Finnegan
Crusoe on the Mountain Gathering Faggots
Me and Capablanca
The Secret

Mary Karr
The Abnormal is Not Courage
The Plundering of Circe
Don Giovanni on His Way to Hell
Don Giovanni in Trouble

Henry Lyman
In Views of Jeopardy
Hunger
Alone
Refusing Heaven
Ovid in Tears

Megan O'Rourke
Tear It Down
The Forgotten Dialect of the Heart
Married
Winter in the Night Fields

Gerald Stern
Love Poem
The Lives of Famous Men
Music is the Memory of What Never Happened
Hard Wired
Neglecting the Kids

The reading concluded with a taped recording of Jack reading
"The Forgotten Dialect of the Heart."

Best,
Boni Joi


****************************************

Can't have a Jack Gilbert post without a poem. Here's a taste of the collection Tough Heaven: Poems of Pittsburgh:



Ruins and Wabi
To tell the truth, Storyville was brutal. The parlors
of even the fancy whorehouses crawling with roaches
and silverfish. The streets foul and the sex brawling.
But in the shabby clapboard buildings on Franklin
and Liberty and on Iberville was the invention.
Throughout the District, you could hear Tony Jackson
and King Oliver, Morton and Bechet, finding it night
after night. Like the dream Bellocq's photographs found
in the midst of Egypt Vanita and Mary Meathouse, Aunt Cora
and Gold Tooth Gussie. It takes a long time to get
the ruins right. The Japanese think it strange we paint
our old wooden houses when it takes so long to find
the wabi in them. They prefer the bonsai tree after
the valiant blossoming is over, the leaves fallen. When
bareness reveals a merit born in the vegetable struggling.
Jack Gilbert


Jack's given it all: heart, mind, and soul. Each collection soars higher than the last. You can get Tough Heaven directly from Pond Road Press. It's probably cheaper at amazon, but why not support the small press and go direct. And there is The Dance Most of All, the best new American poetry book I've read this year so far.

Do yourself a favor: get 'em at the library, get 'em at a bookstore, just get 'em.



spring's begun--
the sky over my house too
like old times
Issa
translated by David Lanoue



best,
Don

Friday, March 27, 2009

Jack Gilbert Tribute




I just received notification that coming this May, Bloodaxe Books will be hosting a tribute for one of our best living poets, Jack Gilbert. Here's the notice via poets.org and via Facebook, which is how I received it.

The publication in recent years of the retrospective Great Fires and the excellent Refusing Heaven collection has brought Jack some long deserved recognition. Here in Pittsburgh we cherish a more modest selection of work, published by the small press publisher Pond Road Press, entitled Tough Heaven: Poems of Pittsburgh.

Pittsburgh has always been a backdrop for the work of Jack Gilbert, a symbol of youth and the not-so-nostalgic past. The Pittsburgh he remembers, like his fellow compatriot and good friend Gerald Stern, is a Pittsburgh long gone, a Pittsburgh forward looking politicians and the nouveau rich, whose hands are today mired in a different kind of grime, would sooner forget. But the ghosts are here, they are everywhere; just as those of us who walk these streets and struggle for a livelihood see them in the corner of our eyes, fleeting and gone in the early morning fog, they followed Gilbert everywhere he went, woven through his work as a thick tangle of twigs in a long abandoned nest.

And that work is at once beautiful, sad, and immensely moving. Here's a taste of that Pittsburgh long gone, the ghost of yesteryear and, yet, somehow the true hope of tomorrow, a hope without which no desperate economic Renaissance pogrom can ever dream of succeeding. We've lived through a few of those here and still we persist, because or despite of any measured, concerted efforts, because, in truth, on the best of days, we stand hand-in-hand with the very ghosts Jack Gilbert evokes.

The ghosts of ourselves.



Searching for Pittsburgh

The fox pushes softly, blindly through me at night,
between the liver and the stomach. Comes to the heart
and hesitates. Considers and then goes around it.
Trying to escape the mildness of our violent world.
Goes deeper, searching for what remains of Pittsburgh
in me. The rusting mills sprawled gigantically
along the three rivers. The authority of them.
The gritty alleys where we played every everning were
stained pink by the inferno always raging in the sky,
as though Christ and the Father were still fashioning
the Earth. Locomotives driving through the cold rain,
lordly and bestial in their strength. Massive water
flowing morning and night throughout a city
girded with ninety bridges. Sumptuous-shouldered,
sleek-thighed, obstinate and majestic, unquenchable.
All grip and flood, mighty sucking and deep-rooted grace.
A city of brick and tired wood. Ox and sovereign spirit.
Primitive Pittsburgh. Winter month after month telling
of death. The beauty forcing us as much as harshness.
Our spirits forged in that wilderness, our minds forged
by the heart. Making together a consequence of America.
The fox watched me build my Pittsburgh again and again.
In Paris afternoons on Buttes-Chaumont. On Greek islands
with their fields of stone. In beds with women, sometimes,
amid their gentleness. Now the fox will live in our ruined
house. My tomatoes grow ripe among weeds and the sound
of water. In this happy place my serious heart has made.
Jack Gilbert

best,
Don

Thursday, February 7, 2008

Gerald Stern and Chicken Pie



I'm in love with Gerald Stern. It is unabashed, it is obsessive, it is irresponsible, and it is nigh on devotional, this love for Gerald Stern.

It all started a couple of years back when I ran across a couple of poems in the much maligned anthology, Good Poems, edited by Garrison Keillor. Keillor was attacked, pilloried, really, by no less a poet, one whom I greatly admire, than August Kleinazhler. He has since been defended
by another poetic luminary, Dana Gioia, which ended up creating the proverbial poetic tempest in a teapot that ended up in a vaguely clicheish
flurry of exchanges. Points were scored on both sides and, god forbid, people were talking about poetry in a semi-heated fashion.

Little of this mattered to me. I enjoyed Keillor's anthology very much, but more importantly I'd fallen in love; and though the white hot passion I had for 6 months or so has cooled a bit, still, my devotion is true. Which leads to the recent publication of Stern's new Quarternote Chapbook, The Preacher.

I am at a loss to describe my love. Stern, on the surface, appears staid enough, surely nothing unsafe here. Yet he plays like a wild-haired, poetic clarinetist, suddenly deviating seriously from the charts. The metaphors, the allusions, the connections are sparks flying from downed wires; careful there, isn't that water, rushing nearby?

The Preacher takes its title and begins as a rift on the narrator from the opening lines of Ecclesiastes in the King James version of Bible (yup, the version is important; not only which one, but which particular King James version). Or perhaps it actually began with listening to another riff, this one by one of the very few people I'll let preach to me: Charles Mingus.

Eat that chicken, eat that chicken pie: oh, yeah.

Or maybe it all really began with the poet executing one of his signature moves, well-known to devotees, lovers and acolytes alike: hugging a tree. Though you might not end up rich if you got a dime for every time Stern alludes to this most lyrical of occupations, you still could get yourself a cup a joe, possibly even at one of the upscale clip joints passing for coffeehouses these days.

What's it about, you say? Who cares, says I, it's by the loved one. It's about everything. We dip our big toe in Dante's (or was that Milton's) fine Lake in Hell (
Cocytus 32-4), discover many lamentable holes, very black, indeed, throughout the miserable existence of our heroic human race. Truman, Sharon, and Genghis Kahn (typo, variant spelling, or just plain sic?) all get their fiery comuppance, with Kant, Leonard Cohen and Lord Mingus all strolling in and out for perspective and three-part harmony.

The whole is structured on a poetic riff of a conversation with fellow versifier Peter Richards; this conversation is spoken, however, in the language of Tongues, one long familiar to the Preacher, Mr. Stern, and the composer of that famed autobiography, Beneath the Underdog.

All in all, the dialogue is free associative, manically passionate and, probably, in the key of B flat. As is well known, my attention tends to wander after 10 lines or so, but Stern's standard 30 to 50 or so line work usually keeps me riveted. This 23 page, book-length poem might have been expected to tax that haiku-like attention span yet it kept me in my seat and brought me back for more (after reading a library copy twice through, I bought my own copy).

By way of disclosure, Mr. Stern started life in Pittsburgh, where I've ended up. He's hit many of the world's high spots in his journey, notably NYC, Jersey and Philadelphia, all places I touched base with in the beginnings of my journey. So, there is a corruption of place, a sort of geography of influence in this post I felt I had to confess, along with my above heralded love. I've never met Mr. Stern, am not shilling for any one particular agenda or another except the reader's agenda, specifically this reader's agenda: mine. If you are unfamiliar with his work, if you like things a tad untidy, if you sing off key or, perhaps, don't mind doing the dishes in the morning, get a hold of a copy of Leaving Another Kingdom: the Selected Poems.

He rarely disappoints.


Cover by Gyorgy Kostritski



This week, the tour of past issues of Lilliput arrives at #143, from June 2005. Enjoy.



Robins’s nest in the tangle

of climbing roses

Careful, bird! I, too,

have been pierced by the barbs

that kept out the wolves

Emily Rodgers– Ramos




Movement

I lean on the balcony rails

and breathe in the sun-spliced

winds of the west.

A cross glimmers on the front-range

mountains, blends with the light

of the sun. Hidden in the drain

shafts red-throated sparrows

trill to my steam heavy thoughts.

This morning, I try to bend

two waves of light into one.

Brian Dickson



Though I am departing for Mt. Inaba

I will return home at once,

-if I hear your voice

in the sigh of the wind

in the pines

Chunagon Yukihira

translated by Dennis Maloney & Hide Oshiro




on the phone

my daughter and I

watch different sunsets

Anne LB Davidson




the day departs

of course

without me

David Lindley

Till next time, Don